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192 items

Periodicals

The Women's Voice

The Women's Voice (Nüsheng), first issued in Shanghai in October 1932, was a bimonthly magazine published by the Women's Voice Society. It was co-founded by then journalist Wang Yiwei and Liu-Wang Liming, then president of the China Woman’s Christian Temperance Union, with part of the funding coming from the Union, and part being raised by Wang through advertisements and sales. In the first issue of the journal, the magazine’s mission was described as “to seek liberation for the nation and happiness for all women.” The publication included short commentaries on political affairs, essays, literary works, and readers’ letters. Its content was wide-ranging, including many theoretical articles on the women's movement, discussions on women's participation in politics, marriage freedom, and professional development, reports on the situation of female workers, as well as women's lives in other parts of the world. Although <i>The Women's Voice</i> did not have any political affiliations, it identified with socialism and supported the Chinese Communist Party, believing that national liberation was a prerequisite for women's liberation. Due to differences of opinion between editor-in-chief Wang Yiwei and president Liu-Wang Liming, the magazine declared its independence and was no longer funded by the China Woman’s Christian Temperance Union in 1934. Due to its left-leaning stance and its sharp criticism of Kuomintang policies, the magazine was subjected to severe censorship and suppression by the KMT authorities and was forced to cease publication in 1935. After the victory over Japan in August 1945, <i>The Women's Voice</i> resumed publication in November and turned into a monthly magazine. In addition to issuing magazines, the editorial board also held several symposiums, such as “Women's Participation in Politics”, “Women's Education”, and “The Way Forward for Female Intellectuals” The magazine started to collaborate with Liu-Wang Liming again and changed its editorial policy to publish only works by women authors. According to Wang Yiwei, in order to maintain the magazine’s independence, they did not receive any political funding, and that most of its funding came from fundraising events and charity sales. Due to continued harassment by the Kuomintang, Liu-Wang Liming was forced to flee to Hong Kong. Eventually, under both political and financial pressure, <i>The Women's Voice</i> ceased publication in 1947. <i>The Women's Voice</i> magazine is hosted by the <b><a href="https://mhdb.mh.sinica.edu.tw/magazine/web/index.php"> Modern Women Journal Database</a></b>, operated by the Institute of Modern History of Academia Sinica in Taiwan, and is free for users to register and access. The site contains all of the 1932-1935 issues, but most issues after 1945 were lost, thus only three issues are included. Thanks to the Institute of Modern History, Academia Sinica, for authorizing the CUA to repost. For more information about the magazine, please see: <a href="http://sites.lsa.umich.edu/wangzheng/wp-content/uploads/sites/948/2024/11/%E7%8E%8B%E4%BC%8A%E8%94%9A-%E6%88%91%E4%B8%8E%E3%80%8A%E5%A5%B3%E5%A3%B0%E3%80%8B-1987.pdf"> Wang Yiwei, “Me and the ‘Women's Voice’: A Tribute to March 8 Women's Day”</a> on the website of Wang Zheng, Professor Emeritus of Women's and Gender Studies and History at the University of Michigan. Note: In 1942, during the war against Japan, with the financial support of the Japanese and the Wang Jingwei regime , another magazine with the name of <i>The Women's Voice</i> was published in Shanghai, imitating the style and design of the original magazine. The magazine, edited by Japanese left-wing writer and feminist Toshiko Sato (also known as Toshiko Tamura, or Zuo Junzhi in Chinese), was the only women's magazine published in the fallen area of Shanghai under Japanese control. The magazine ceased publication in 1948. According to research by Tu Xiaohua, an associate professor at the School of Journalism at the Communication University of China, although the magazine had long been regarded as a “traitorous” magazine and a tool of Japanese political propaganda, it also served as a platform for the dissemination of left-wing ideology to a certain extent, due to Toshiko's internationalist stance and the involvement of members of underground CCP members. The magazine is also included in the Modern Women Journals Database.
Periodicals

The Ladies Journal

The Ladies Journal was founded in January 1915 by the Commercial Press Shanghai. It was a monthly magazine primarily targeting upper-class women. It ceased publication in 1932 when the Commercial Press was destroyed by Japanese bombing. The magazine was distributed in major cities in China and overseas, such as Singapore. The magazine was considered an influential forum for the dissemination of feminist discourse in modern China, given its long operation and large readership. The magazine spanned important historical periods such as the May Fourth Movement and the National Revolutionary period, and readers can see how the political environment and social trends influenced the political stance and style of the publication. Although it was a women's magazine, the chief editors and the authors of most of the articles were men. According to Wang Zheng, Professor Emeritus of Women's and Gender Studies and History at the University of Michigan, the early articles of The Ladies Journal were more conservative. Although it advocated for women’s education, the goal was to train women to be good wives and mothers. Later, under the influence of New Culture Movement and the May Fourth Student Movement, the magazine was forced to reform itself and began to publish debates on women's emancipation as well as to call for more women's contributions, spread liberal feminist ideas, and support women's movements across the country. 1923 saw the beginning of the National Revolutionary period, and the Chinese Communist Party’s nationalist-Marxist discourse on women’s emancipation started to challenge liberal feminism, and the magazine's influence waned. In September 1925, the magazine ceased to be a cutting edge feminist publication after it changed its chief editor again and shifted its focus to ideas more easily accepted by conservative-minded readers,such as women's artistic tastes. Although the <i>The Ladies Journal</i> was run by men, and some articles displayed contempt for and discrimination against women, it pointed out and discussed many issues that hindered women's social progress, such as lack of education, employment, economic independence, marriage freedom, sexual freedom, family reform, emancipation of slave girls, abolition of the child bride system, abolition of prostitution, and contraceptive birth control. It was also open to many different ideas and views, all of which were published. It is a valuable historical source for the study of women's studies and modern Chinese history. Yujiro Murata, a professor at the University of Tokyo, founded the The Ladies Journal Research Society in 2000, along with a number of other colleagues interested in women's history from Japan, Taiwan, China, and Korea. The two main goals of the Society are to produce a general catalog of all seventeen volumes of the Magazine and to bring together scholars from all over the world to conduct studies based on the magazine. With the assistance of the Institute of Modern History of Academia Sinica in Taiwan, the magazine was made into an online repository, which is stored on the Institute’s “Modern History Databases” website, and can be accessed by the public. Link to the database: https://mhdb.mh.sinica.edu.tw/fnzz/index.php. Thanks to the Institute of Modern History, Academia Sinica, for authorizing the CUA to repost.
图书

A Chronicle of Heroes in Quelling the Turmoil

<i>A Chronicle of Heroes in Quelling the Turmoil—A Collection of Reports on the Deeds of Heroes and Models in Suppressing the Counter-Revolutionary Rebellion in Beijing</i> was published by Guangming Daily Publishing House in September 1989. As one of the Chinese Communist Party's official propaganda projects after the suppression of June Fourth, this book collected speeches from a nationwide speaking tour organized by the authorities after the suppression to publicize the "great achievements in quelling the counter-revolutionary rebellion." It is one of the texts for studying June Fourth from the official perspective.
图书

One Day Under Martial Law

<i>One Day Under Martial Law</i> was edited by the Cultural Department of the General Political Department of the Chinese People's Liberation Army (PLA), and published and distributed by the PLA Literature and Art Publishing House in October 1989. The book is divided into two volumes and collects a total of 190 signed articles. Apart from a few police officers from the Beijing Municipal Public Security Bureau at the time, almost all the authors were soldiers from the PLA martial law troops. This book is a valuable resource provided by the martial law troops, a special group of witnesses to the June Fourth Tiananmen Incident. The book is a valuable source of information for researchers seeking information on the troops that participated in the June 4th massacre. This book was also a primary reference for scholar Wu Renhua when he wrote the book <i>The Martial Law Troops in the June Fourth Incident</i>. As an officially organized piece of propaganda material, the book's original intent was to applaud the troops and individual officers and soldiers for what the government described as "quelling the counter-revolutionary rebellion." However, because it revealed too much true information, the book was banned shortly after publication. In 1990, the publisher reissued what it called a "selected edition" of the book, which removed over a hundred articles, retaining only 80 signed articles, and the total word count of the book was reduced by more than half. The Archives has collected the original two volumes of <i>One Day Under Martial Law</i>, as well as the “selected edition" that was published after being censored.
图书

Political China: Towards an Era of Choices for a New System

This book is a collection of writings from the late 1990s regarding political system reform in China. The editors state in the afterword: “This book has collected nearly all, if not all, of the articles discussing political system reform in recent years. From this, we can see the research achievements and level of people’s understanding of political system reform in recent years.” The articles in the book cover a wide range of topics, from political system reform to democracy, the rule of law, constitutional government, freedom, rights, and economics. Although the articles in the book were all published independently before, Political China was soon banned by the authorities after its publication, and the Today China Publishing House soon shut down under official pressure.
图书

The True Face of Fang Lizhi

The True Face of Fang Lizhi was edited by the General Office of the Central Commission for Discipline Inspection of the Communist Party of China and published by Law Press in July 1989. Fang Lizhi was one of Beijing's most prominent intellectuals during the 1989 Tiananmen Square Democracy Movement. An astrophysicist, he was labeled a "rightist" in his earlier years. Starting in the autumn of 1988, he actively participated in political study groups at Beijing's universities and gave interviews to foreign media, openly criticizing the Chinese Communist Party's Four Cardinal Principles, which called for upholding socialism and the Communist Party rule. His views resonated with students in Beijing at the time. On January 6, 1989, he penned an open letter to then-Central Military Commission Chairman Deng Xiaoping, suggesting that democracy activists like Wei Jingsheng be released that year for the National Day celebrations. In February 1989, Fang Lizhi wrote "China's Hope and Disappointment," which Wang Dan and others posted as a big-character poster at Peking University. In June 1989, the CCP authorities issued an arrest warrant for Fang Lizhi on charges of "counter-revolutionary propaganda and incitement." Fang subsequently sought refuge in the U.S. Embassy and later sought exile in the United States. This book serves as a propaganda tool for the Chinese Communist Party, compiling Fang Lizhi's what the book called "reactionary statements" where he "opposed the Four Cardinal Principles and advocated bourgeois liberalization." It also gathers articles from Chinese Communist Party newspapers that criticize Fang Lizhi for "inciting and organizing the June Fourth riots." From an official government perspective, the book offers insights into Fang Lizhi's ideas and sheds light on China's social and political thought environment before and after June Fourth.
Book

The Falun Gong Phenomenon

This book is a collection of several long articles and commentaries by Hu Ping on Falun Gong and the persecution and repression against Falun Gong practitioners. From an independent perspective, this book responds to a series of unfair criticisms and stigmatization of Falun Gong by the Chinese authorities and the public, calling on society to fight for the basic rights of Falun Gong practitioners who have been persecuted.
图书

Köz Yéshida Nemlen'gen Zémin/The Land Drenched in Tears

(English follows) Bu kitab muhajirettiki Uyghur jem’iyitide nisbeten baldur neshir qilin’ghan, shundaqla Uyghur ziyaliylirining kommunist Xitay hökümranliqi astidiki paji'elik kechürmishlirini inchike détallar bilen teswirlep bergen edebiy xatire sheklidiki eslimidur. Téximu éniqraq qilip éytqanda, bu kitabta aptorning charek esirlik ré'al kechürmishliri asasiy liniye qilinip, 1957-yilidin 1982-yilighiche bolghan 25 yil jeryanida Sherqiy Türkistan (Shinjang)diki Uyghur istudéntlarning boran-chapqunluq sergüzeshtiliri we tragédiyelik teqdiri yorutup bérilgen. 1957-Yili Séntebirde emdila 17 yashqa kirgen Söyün'gül Chanishéf (aptor) Shinjang Méditsina Inistitutigha qobul qilinidu. Bu pütün Xitay miqyasida Maw Zédung bashlatqan «échilip-sayrash» dolquni emdila axirliship, «istil tüzitish» herikiti bashlanghan, Shinjang Uyghur Aptonom Rayonida «yerlik milletchilikke qarshi heriket» élip bérishning teyyarliqi jiddiy élip bériliwatqan mezgiller idi. Söyün'gülning siyasiy dolqunlar ichide bashlanghan aliy mektep hayati uning kéyinki teqdiride oylap baqmighan qarangghu sehipilerni achidu. U Méditsina Inistitutidiki bashqa Uyghur sawaqdashliri bilen birlikte siyasiy jehette «échilip-sayrash»qa, «istil tüzitish» yighinlirigha qatniship, kompartiye heqqidiki pikir-qarashlirini ochuq otturigha qoyushqa mejbur qilinidu. Yashliq bahari urghup turghan, kelgüsige ümid bilen qarighan, emma siyasiy boran-chapqunlarda téxi pishmighan bu bir türküm sap-sebiy we qizghin oqughuchilar köz aldidiki rehmisiz siyasiy ré'alliqtin qattiq ümidsizlinidu. Sabiq Sowét Ittipaqi modélidiki ittipaqdash jumhuriyetlik aliy aptonomiye tüzümini Xitaydiki Uyghur, Tibet, Mongghul qatarliq az sanliq milletlerning aliy aptonomiye hoquqining tüp kapaliti dep bilgen bu yashlar, Xitay kompartiyesining Xitayche uslubtiki «milliy téritoriyelik aptonomiye tüzümi»din qattiq narazi bolidu. Ular, Shinjangda ölke derijilik atalmish «Shinjang Uyghur Aptonom Rayoni» emes, belki Sowét Ittipaqi modélidiki «Sherqiy Türkistan/Uyghuristan Ittipaqdash Jumhuriyiti» qurulushi kérek, dep qaraydu. Ularning «échilip-sayrash» yighinlirida dadilliq bilen otturigha qoyghan bu pikir-telepliri, kéyinche ularning siyasiy jehettiki qéchip qutulalmas éghir jinayiti bolup qalidu. Shuningdin kéyinki polat tawlash, chong sekrep ilgirilesh, yerlik milletchilikke qarshi heriket jeryanida Söyün'gülni öz ichige alghan yerlik millet oqughuchiliri qattiq tenqid we teqipke, siyasiy bésim we rohiy azablargha duch kélidu. Acharchiliq yillirining éghir riyazetlirini béshidin ötküzidu. Xitay kompartiyesining az sanliq milletlerge qaratqan aldamchiliq siyasiti we saxta aptonomiyesining mahiyitini chongqur chüshinip yétidu. Netijide ularda mexpiy teshkilat qurup, yer asti siyasiy küresh pa'aliyetliri bilen shoghullinish; kéyinche shara'it piship yétilgende yerlik xelqni qozghap keng kölemlik milliy azadliq sépi shekillendürüsh; Xitay mustemlikisidin qutulup, Sherqiy Türkistanning musteqilliqini qolgha keltürüshtek siyasiy ghaye hem pikir birliki hasil bolidu. Ular 1962-yili 2-ayning 5-küni Shinjang Méditsina Inistitutining oqughuchilar yataq binasida mexpiy yighilip, «Sherqiy Türkistan Méhnetkesh Xelq Partiyesi» namliq siyasiy teshkilat quridu. Söyün'gül Chanishéf bu teshkilatning katipliq wezipisini öz üstige alidu. Halbuki, aridin birqanche ay ötmeyla Xitay Jama'et Xewpsizlik organlirining oqughuchilar arisigha mexpiy orunlashturghan jasuslirining uchur yetküzüshi bilen bu teshkilat pash bolup qalidu. Shu yili 4-ayning 29-küni Söyün'gül Chanishéfni öz ichige alghan nechche onlighan Uyghur oqughuchilar qolgha élinidu. Shuningdin bashlap Söyün'gül we uning sawaqdashlirining uzun yilliq türme we mejburiy emgek hayati bashlinidu. Ürümchi türmisidiki 4 yilgha sozulghan qiyin-qistaq we qarangghu türme hayatidin kéyin, Söyün'gül we uning türmidishi Sajide Ürümchi etrapidiki emgek bilen özgertish lagérida mejburiy emgekke sélinidu. Bu jeryanda insan tesewwur qilghusiz teqip we qiyin-qistaqlargha, künige on nechche sa'etlik éghir emgekke, achliq we rohiy azablargha duch kélidu. Medeniyet Inqilabi bashlinishi bilen ularni téximu éghir qismetler kütiwalidu. Söyün'gül «siyasiy jinayetchi» dégen qalpaq bilen Ürümchi etrapidiki bir xelq kommunasigha yerleshtürülüp, ammining nazariti astida éghir emgek arqiliq özgertishke tapshurup bérilidu. U bu yerde türmidinmu better qiyin künlerge duch kélidu. Rohiy we jismaniy jehettin qattiq xorlinidu. Uzun yilliq türme, mejburiy emgek we qiyin-qistaq Söyün'gül Chanishéf we uning tutqundiki sawaqdashlirini öz ichige alghan bir ewlad Uyghur yashlirining yashliq baharini, arzu-armanlirini, ghaye we intilishlirini xazan qilidu. 1976-Yiligha kelgende Xitay kompartiyesining aliy rehbiri Maw ölüp, «Medeniyet Zor Inqilabi» axirlashqan, 1978-yili kommunist Xitayning milletler siyasitide «yumshash» bashlanghan bolsimu, emma Söyün'gül Chanishéf qatarliq «siyasiy jinayetchi» qalpiqi kiydürülgen bir ewlad Uyghur oqughuchilarning délosi hel bolmaydu. 1980-yillarning bashlirigha kelgende, Xitayning siyasiy atmosférasida körülgen «islahat» we «ishikni échiwétish» dolqunidimu héchqandaq siyasiy kengchilikke érishelmigen Söyün'gül pütün a'ilisi bilen birlikte tughulup ösken yurtini tashlap Awstraliyege köchmen bolup kétidu. Shundaq qilip, Söyün'gülning Sherqiy Türkistandiki 18 yilliq türme we tutqunluq hayati axirliship, erkin dunyadiki kéyinki hayati bashlinidu. Bu eslime aptor Söyün'gül chanishéfning muhajirettiki hayati dawamida eyni waqittiki kündilik xatirisi bilen türme xatirilirini retlesh, toluqlash, qayta eslep yézish arqiliq wujutqa chiqqan. Pütün kitab 700 betke yéqin uzun sehpidin teshkil tapqan bolup, tili addiy, uslubi yenggil we güzel, hékaye weqeliki jiddiy we jelp qilarliq shekilde yézilghan. Bu kitab peqet aptorning béshidin köchürgen shexsiy kechürmishlirining addiy bayani bolupla qalmastin, belki 1950-yillarning axiridin 1980-yillarning bashlirighiche bolghan bir ewlad Uyghur istudéntlirining boran-chapqunluq kolléktip hayati we Uyghur ziyaliylirining kommunist Xitay réjimi astidiki paji'elik teqdirining janliq örnikidur. Aptor kitabning bash qismigha yazghan kirish sözide, «musteqilliq arzusi bilen teshkilat qurup qolgha élin’ghan hemde türme we nazaret astida yashighan 18 yilliq hayatimdin qisqiche xatire qaldurup, yoshurun saqlap kelgen idim. Shu xatirige asasen bu kitabni yézip chiqtim. Bu kitabtiki weqelerning hemmisi béshimdin ötken, öz közüm bilen körgen hem anglighan heqiqiy ishlardur» dep yazghan. Istanbul Uniwérsitétining Uyghur proféssori Sultan Maxmut Qeshqeri bu kitabqa yazghan béghishlimisida «<köz yéshida nemlen'gen zémin> namliq bu kitabta yézilghan weqeler toqulma hékayiler we xiyaliy épizotlar bolmastin, hemmisi Söyün'gülning béshidin ötken we öz közi bilen körgen rast weqelerdur. Bu kitabta kommunist Xitay hakimiyitining Sherqiy Türkistanda yürgüzgen insan qélipidin chiqqan wehshiy siyasetliri emeliy pakitlar bilen chongqur pash qilinghan, bolupmu Maw Zédung bashlatqan <Medeniyet Inqilabi>ning dehshetlik menzirisi de dölet térori nahayiti janliq ipadilep bérilgen» dep yazghan. Bu kitab 2006-yili Istanbuldiki Teklimakan Uyghur Neshriyati teripidin birinchi qétim neshir qilin’ghan. Kitab muhajirettiki Uyghur oqurmenliri arisida zor tesir peyda qilghan we bazarliq kitabqa aylanghan. 2015-yili yuqiri tiraj bilen ikkinchi qétim bésilghan. 2018-Yili in'gilizchigha terjime qilinip, En'giliyede neshir qilinghan. <i>The Land Drenched in Tears</i> is the one of the earliest literary memoirs published in the Uyghur language within the diaspora community, detailing the experiences of Uyghur intellectuals under Chinese Communist rule. The book, written by Söyüngül Chanisheff, chronicles the turbulent experiences and tragic fate of Uyghur students in East Turkistan (Xinjiang) during the 25 years from 1957 to 1982, centered around the author’s quarter-century of real-life experiences. In September 1957, Söyüngül, who had just turned 17, was admitted to Xinjiang Medical Institute. This was a time when Mao Zedong’s Hundred Flowers Campaign had just ended nationwide, the Rectification Movement had begun, and the Xinjiang Uyghur Autonomous Region was intensively preparing for the Anti-Local Nationalism Campaign. Along with other Uyghur classmates at the Medical Institute, Söyüngül was forced to participate in political “speaking out” meetings–when people were encouraged to voice criticism about the Communist Party. However, their bold views and demands expressed during these “speaking out” meetings later severe criticism, persecution, political pressure, and psychological torment during the Anti-rightist Campaign. On February 5, 1962, they secretly gathered in a student dormitory at Xinjiang Medical College and established the East Turkistan Working People’s Party, with the political ideal and common goal of freeing themselves from Chinese rule and achieving independence for East Turkestan. Söyüngül Chanisheff served as the organization’s secretary. Just months later, due to an informant placed among students by Chinese security forces, the organization was exposed. On April 29 the same year, dozens of Uyghur students, including Söyüngül, were arrested. In the subsequent years, Söyüngül went through imprisonment, as well as forced labor at labor camp and a people's commune, where she suffered severe physical and psychological damage. Although Mao died in 1976, ending the Cultural Revolution, and China’s ethnic policies began to soften in 1978, cases like Soyungül’s were never rehabilitated. By the early 1980s, even amidst China’s reform and opening political atmosphere, Söyüngül —still denied any political clemency—eventually left her homeland with her family and emigrated to Australia. This memoir was created during the author’s life in exile, based on her contemporary diaries, reorganized prison notes, and reconstructed memories. The nearly 700-page book is not merely a simple account of the author’s personal experiences, but also serves as a vivid portrayal of the turbulent collective life of a generation of Uyghur university students from the late 1950s to early 1980s, and the tragic fate of Uyghur intellectuals under the Chinese Communist regime. The book was first published in 2006 by Taklamakan Uyghur Publishing House in Istanbul. It had a significant impact among diaspora Uyghur readers and became a bestseller. A second edition with higher circulation was published in 2015, and an abbreviated English translation was published in the UK in 2018. <a href="https://www.foyles.co.uk/book/the-land-drenched-in-tears/s-y-ng-l-chanisheff/9781910886380">The English edition can be purchased here</a>.
Book

On Freedom of Speech

“On Freedom of Speech” is a treatise by Hu Ping. It was first published in 1979. A revised version was published in 1980, when Hu ran for local elections at Peking University. The treatise was later published in Hong Kong in 1981 and again in a Chinese journal in 1986. Multiple publishing houses in China made plans to distribute the treatise in book form, but China’s anti-liberalization campaign prevented the books from publishing. “On Freedom of Speech” explains the significance of freedom of speech, refutes misunderstandings and misinterpretations of freedom of speech, and proposes ways to achieve freedom of speech in China. This document, provided by the author, also includes the content of the symposium held after the publication of “On Freedom of Speech” in 1986, as well as the preface written by the author in 2009 for the Japanese translation of this treatise.
Database

Modern Women’s Biographies Database

The Modern Women’s Biographies Database is part of the Modern History Digital Database of the Institute of Modern History, Academia Sinica, Taiwan. The goal of the database is to create biographical information on women in modern China, in order to counter the dominance of biographies of male figures in modern China history. The database includes biographies of 1,848 women in modern China, a few of whom were not Chinese but were included because they taught at universities in China or Taiwan. In addition to browsing and searching for biographies, the database provides two additional functions: 1. “Biography Connections”: users can select multiple biographies to generate a map displaying social connections among selected figures; 2. “Place of Origin Map”: a map presenting the places of origin and eras of the figures, and users can click the markers on the map to read the biographies of the figures. By visualizing the biographical information, users can have an overview of the organizational networks of modern women's groups, as well as the development of women's discourse. Link to the database: https://mhdb.mh.sinica.edu.tw/women_bio/index.php. Thanks to the Institute of Modern History, Academia Sinica, for authorizing the CUA to repost.
Database

Modern Women Journals Database

This database is part of the “Modern History Databases,” operated by the Institute of Modern History of Academia Sinica in Taiwan. The "Women and Gender History Research Group" of the Institute endeavors to collect, digitize and categorize related books and journals from libraries worldwide, and established the Modern Women Journals Database, which consists of 214 journals and 110,000 individual items. The database has been made available for public use since 2015. In 1919 and the years that followed, women’s movement in China was on the rise, and as a result, many women's magazines appeared, a lot of which were run by women. Most of the journals collected in this repository were published between 1907-1949, with some published after 1949; there are comprehensive publications, as well as those focusing particularly on women's movements, family, health, employment, etc.; nearly a quarter of the publications were published in Shanghai, followed by Beijing, Guangzhou, and Nanjing. As can be seen from the Database, most of these journals have a relatively short duration, ranging from one to five years. Through this database, readers can gain a more comprehensive understanding of the history of women and women’s movements in modern China. In addition to browsing journals and searching the database, users can also conduct author research and journal analysis. Under the author research section, users can read author biographies, as well as see the number of articles written by a particular author, and a map displaying their family and social relations. Under the journal research section, users can generate maps by keywords, eras, and article categories, which can provide more multi-dimensional information about a specific era or topic. Link to the database:https://mhdb.mh.sinica.edu.tw/magazine/web/acwp_index.php. Thanks to the Institute of Modern History, Academia Sinica, for authorizing the CUA to repost.
Film and Video

The Vagina Monologues (Performance at Sun Yat-sen University)

<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum on December 7, 2003. This video is a recording of that performance.
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