This book is part of author Eva's "Famine Trilogy." Because her mother was a survivor of the famine in Gansu, Eva has obsessively pursued and recorded that tragic history. She visited a dozen counties in Gansu and Shaanxi four times and interviewed two hundred and fifty people. The list of starving victims recorded in the book is about eight hundred and thirty, while as many as one hundred and twenty-one incidents of cannibalism and cannibalistic phenomena were recorded.
This is the first book in author Eva's "Famine Trilogy," in which she traveled to Qin'an County, Tongwei County, and Tianshui District in Gansu Province as well as to Yaozhou and Tuxian County in Shaanxi Province in 2011. She interviewed more than two hundred survivors of the Great Famine, with the oldest person being ninety-five years old and the youngest being fifty-eight years old. This book allows these lowest class, mostly uneducated peasants to speak and provide their own witness, leaving behind their voices and oral history. Based on interviews with more than fifty interviewees, the book contains the names of more than five hundred victims and forty-nine incidents of cannibalism.
This book is part of writer Eva's "Famine Trilogy." It is also the only oral history monograph on women and children who fled the famine in Gansu and Shaanxi from 1958 to 1963 as of now. More than 1.3 million people starved to death in Gansu Province, the hardest-hit area of the Great Famine, and more than 100,000 women between the ages of 16 - 15 years old fled the famine and left Gansu. What happened to them and their children is one of the most tragic memories of the Great Famine.
Author Eva writes about her relationship with Gao Yaojie, a Chinese doctor. Dr. Gao Yaojie, who was severely repressed by the Chinese government for exposing the mass infection of Chinese farmers in Henan Province, China, by selling their blood, had no choice but to leave China at the age of 78 and go into exile in the United States. The dissemination of her story is strictly forbidden in China. In this book, author Eva describes Gao Yaojie's noble heart, her story, and her experiences.
Compiled by the Sichuan writer Xiao Shu (b. 1962), this book offers a variety of pro-democracy statements released by the Chinese Communist Party media, including short commentaries, speeches, editorials, and documents from <i>Xinhua Daily, Jiefang Daily, Party History Bulletin</i>, and <i>People's Daily</i> from 1941 to 1946. The essays criticize the Kuomintang government for running a "one-party dictatorship" and promised freedom, democracy and human rights.
The book was published by Shantou University Press in 1999. <a href="https://archive.ph/20220329191611/https://www.rfi.fr/tw/%E4%B8%AD%E5%9C%8B/20130817-%E9%A6%99%E6%B8%AF%E5%A4%A7%E5%AD%B8%E5%86%8D%E7%89%88%E3%80%8A%E6%AD%B7%E5%8F%B2%E7%9A%84%E5%85%88%E8%81%B2%E3%80%8B">According to Xiao Shu</a>, the book was heavily criticized by the then-head of the Propaganda Department, Ding Guangen. The publishing house was temporarily suspended, and copies of the book were destroyed. It was republished in Hong Kong by the Bosi Publishing Group in 2002, and reprinted by the Journalism and Media Studies Center of the University of Hong Kong in 2013.
This is a record and index of major feminist events in China between 2020 and 2023. The document consists of more than 2,000 pages, in which 122 topics/events related to feminism have been curated. The document is divided into five chapters: “Feminism in the Public Eye ”, “Feminism in Individual Cases”, “Feminism in the Law”, “Feminist Activism,” and “Three Special Years - Feminism amid COVID-19”.
Each event entry is divided into two parts: event summary and related articles The first part aims to provide a complete and objective overview of the event, using first-hand materials when possible; the second part collects media reports and commentaries on the event published through public media outlets and social media platforms.
This document covers a wide range of topics/events, including but not limited to commercial surrogacy, gender discrimination in higher education, China’s population policy and the reproductive rights of women, misogynistic culture in the media, the progress and challenges of the #Metoo movement, legal analysis of law and policies concerning feminist issues, and feminist activism.
The editorial group introduced their intention as follows in the document’s introduction:
“This document, though imperfect, is an attempt to contribute to the writing of the history of Chinese feminism - history is the road we are walking at the moment, and we've come a long way, still searching for answers hidden in the thick fog. ”
“We hope that this document will not only serve as a tool, but also provide the reader with wisdom and strength.”
In the mid-20th century, Liu Wencai, a large landowner in Sichuan Province, spent almost all of his family's wealth in his later years on promoting education, bridge construction and road building, and was known as a great benefactor in the region. However, during the Great Leap Forward and the Cultural Revolution, he was portrayed as an archetype of evil landlords in the 3,000-year history of feudalism in China.
As the controller of great wealth in southern Sichuan during the Republic of China period, Liu Wencai did accumulate a huge fortune from plunder in his early years, but in his later years he invested most of it in public welfare. He financed and presided over the construction of a highway, as well as the Wanchengyan irrigation system, benefiting hundreds of thousands of farmers. He also spent almost all of his family's wealth to found the Wencai Middle School (today's Anren Middle School), which at the time was known as Sichuan's best privately-run school. In the memories of the local people, Liu Wencai collected less land rent than what was collected by the government after 1949. He was praised for providing financial assistance to poor families during special days and festivals, and for mediating civil disputes in a fair manner.
These facts were erased under the ultra-leftist propaganda. The authorities even fabricated the story of Liu Wencai keeping farmers in a dungeon filled with water, as well as making sculptures depicting how Liu Wencai was exploiting farmers, in order to incite hatred against him. This made Liu Wencai one of the most famous evil landlords in China.